Cover for the Anthology 2011 Speculative Convention Program Guide.
Digitally Coloured and Textured relief print.

Cover for “Epitaphs,” the first journal of the New England Horror Writers.
Digitally Coloured relief print.

Cover spread (front, back, and spine) for “Epitaphs,” the first journal of the New England Horror Writers.
Digitally Coloured relief print.

Cover for the First Digital Edition of Shroud Magazine,
from a detail photo of my fiber piece, “Emily: Beauty.”

“Chaptered and Versed, Poetic and Cursed.” Poems by Zombie Zak.
Zak wanted a Poe-esue drawing with a few specific items. I carved the image and then reversed it digitally and added a bit of colour effect for the ink/ blood, which then spread along the spine and onto the back cover.

“Chaptered and Versed, Poetic and Cursed.” Poems by Zombie Zak.
Zak wanted a Poe-esue drawing with a few specific items. I carved the image and then reversed it digitally and added a bit of colour effect for the ink/ blood, which then spread along the spine and onto the back cover.

Shroud Magazine Issue 8.
Scan of an acrylic pastel, stitched with hemp thread, on canvas board.

Cover for the Second Digital Edition of Shroud Magazine,
an image from “Matthew’s Memories,” (currently in progress).
Digitally-coloured relief print.

Cover for Shroud Magazine, Issue #12. Digital painting.
I was given a black and white photograph (the shed in the background), to which I began adding textures and tints in Photoshop. As I did this, certain shapes began to come to the forefront, and I enhanced these with brush filters, pulling out details and creating the face.

Anthology: Year One
Digital painting (wraps around the spine and the back of the book)
Given a close-up photograph of the veins in an eye, I added another of a an autumn leaf and moss scene, and began applying textures and tints.